
JAN. 20-FEB 18
Giddy Observations, Scandalous Confessions & A Few
More Things They Won't Tell You In Film School



Although I’m proud to be counted among a group of screenwriting blogs collectively known as the “scribosphere,” please don’t expect any relevant and insightful tips on screenwriting from me. No structure notes, no WGA news, no thoughts on how to be good in a room. This is not a repository of information about the craft and business of the screenwriter, but rather the scattered reflections of another girl with another big Hollywood dream of becoming a fabulously important one. 
Filling out a questionnaire yesterday at the doctor’s office, I was struck by my abject failure to meet the standards of normalcy by which the world is apparently judging me.
On the plus side, it’s after noon and I’m still in my P.J.’s, despite having gotten up early to e-mail a revised outline on my new feature assignment to the studio. It’s a comfy shortie tank set with a built in bralette, so I don’t scare the neighbors with anything pendulous when I go out to fetch the mail and poop the dogs at three, five and ten, after the back-to-back repeat showings of The Office. Until then, they’ll be lying here beside me—Vienna on the couch where I sit to write in front of my laptop; Oscar on a big feather pillow he likes me to set out for him on the floor.
I don’t wanna. I just want to sit here all day and make stuff up, even though in some circles that might be defined as the early stages of psychosis. So what if my doctor thinks I’m crazy. He gets paid to listen to the heart I pour out free of charge. To that end, I’m always surprised when people comment on my blog, or call my manager to set up a meeting, or offer to pay money, of all things, to buy my work. Most of the time, I forget you’re even there.
Considering my "emerging screenwriter" price range, I hadn’t been able to get a single real estate agent to return my calls—not even the one with the handlebar moustache and speech impediment I found on some fly-by-night Internet site. Then I met Jerry J. one Sunday afternoon at an open house in Echo Park. He’d staged the place with signature homosexual style, lighting gingerbread-scented candles on the kitchen counter, setting back issues of the New Yorker in the master bath. He asked me to sign his Venetian leatherbound guest book and have a look around the little California bungalow, priced at a “very attractive” six fifty-nine, which stands adjacent to a state-run “rest home,” according to Jerry’s brochure. Personally I’d call it an “insane asylum.” When I stood very still, I’m pretty sure I heard screaming.
Unfortunately, once an already inflated L.A. real estate market is captured in an award-winning indie, it’s already too rich for my blood. The one property in the entire gang-infested hood priced below four hundred thousand wasn't a house at all, but a "cozy little writer’s cabin” built in the twenties as a hunting lodge. Perched on a solitary hilltop surrounded by meadowlands, its best feature was a wraparound deck where I could have all the “big wonderful dinner parties” Jerry imagined me to be throwing for my “important friends at the studio.” (Jerry apparently thinks I’m Lucy and Ricky Ricardo in their Hollywood years).
The thing about screenplays is that they’re worth either nothing at all or a huge wad of cash. There’s not a whole lot in between. My mother says I have to write my way out of my problems and my manager remains convinced I’ll be writing myself into the right house very soon. The mere idea of being able to write my way into and out of things is the closest I’ve gotten to Hollywood success. That and hanging with Jerry. The day he takes me to lunch at some star-studded greasy spoon at Sunset Junction to sign documents, I’ll know I’m in.
When someone you know from film school makes a major Hollywood script sale, all kinds of things run through your mind. The first is, phew, it really can happen. The second is, damn, why didn't it happen to me? The third is that no talent bitch couldn't write her way out of a paper bag! No way was fellatio not involved here, among a treasure trove of sexual hat tricks picked up during a mysterious "summer job" in a Hong Kong whorehouse. Just wait until that particular footnote makes the alumni newsletter.
Though C. and I hadn't been BFFs in film school, certainly we were allies. As first years, we were were shunned among the advanced students accepted into the class of a certain famous screenwriter. Each week, we would e-mail each other pissy little missives marked "Delete Immediately After Reading!" detailing the evening's perceived barbs and mean spirited notes from film school power brokers, as if that's not a contradiction in terms. She told me she'd been a geek in high school and felt naturally at home among losers, fat chicks and other outcasts, which I wasn't exactly sure how to take. Still, though nowadays she vaguely resembles Elle Woods, I believed her. For someone with a Dentyne smile sporting a perky, blonde bob, she has one too many angry snake tattoos to have escaped adolescence unscathed.
Being a film lover since early childhood only set me up for a lifetime of disappointment as the big movie moments of my own life played themselves out with scant cinematic flair. I can only describe my first sexual encounter, for example, as poorly staged. It was badly lit and the blocking was awkward. Why didn't the music swell? Why no elegantly timed dissolve to a nice soft focus? Why was Robert Redford not there? If only I'd cleared the set and called for a re-write, not to mention a little chat with that boob of a casting director who'd neglected to secure A-list talent.
It was cardboard. The flimsy kind, not even laminated for gloss and durabilty. Here I'd agreed to pay a $2,500 initiation fee and a nice chunk of my lifelong earnings and all I got so far was a welcome letter, a twenty buck subscription to Written By magazine, and an invitation to an upcoming dinner meeting for new members. Damn if I wasn't going to that shindig, if only to claim my rightful plate of sushi and jug wine. I would watch their badly produced video from the eighties about the history of the union--hosted by an older woman in a kooky wig whose most recent credit was a Doris Day movie--and I would like it!
On the way out, I was handed a very nice, boxed silver pen emblazoned with the WGA emblem. It's no Mont Blanc, mind you, but more likely another logo item purchased in bulk from a business gifts catalogue. And yet, I shall treasure it always. If life were indeed a movie, it would fall out of my hand as I wrote my last word, which in my case is unlikely to be "Rosebud," but rather, "Redford."
A year ago I started this blog because I was a writer nobody wanted to read. I'd had enough of opening the trades to news of another record spec sale I hadn't made. When blogs I hadn't created were optioned for books, sitcoms and three-picture deals I hadn't landed, I became even more annoyed. Eventually it became clear that if I didn't have a blog I'd surely never be tapped to adapt a blog into a New York Times bestseller and the feel good movie of the year. If also else failed, I would at least have created a repository for my work, forcing myself on a daily basis to chronicle the tail end of my ten-year struggle from successful journalist to failed screenwriter. The truth is, I wasn't at all sure I had a full year of struggle left in me.
I used to record my thoughts here every day because I didn't have anything else to do with them. Now I have all kinds of things, and lo and behold, they're not all that fascinating. Today, for example, I have the shades drawn and the A/C on. I'll be in my pajamas all afternoon, working on a revised outline for my producers at Universal. Should my literary agent call to inquire into the latest re-write of my book proposal, I will either screen the call or pick it up and lie. At some point, I will make an egg salad sandwich and watch back to back episodes of Judge Judy. While I may tell myself I'm too busy to blog, the reality is I no longer have the requisite desperation to be heard.
Over the last year, my readership has grown from a single visitor, my sister, to many thousands of you every week who seem to pop by in equal numbers regardless of how long it's been since my last post. I can't promise I'll post more frequently now that I'm not as miserable or hilarious a girl as I once was. I do, however, urge the mysterious throngs who missed my early missives to get your fix in my archives. You might find, as I did, that success isn't so different than failure after all.
1. I am older than Jesus Christ and Marilyn Monroe when they died and Lucy Ricardo in the pilot episode.Which O.J. Simpson juror was dismissed because she shared the defendant's arthritis doctor?7. I drive a red 1998 Honda Civic DX Hatchback recently given to me when my mother bought a hybrid.
Answer: Katherine Murdoch.
8. I love dogs, particularly the wiener variety, of which I have two, Oscar and Vienna.
21. If screenwriting doesn't work out, I would like either to become a wedding planner or work at Home Depot.
29. My favorite candy is See's Butterscotch Squares, which I always choose when they offer the free sample.
42. Favorite TV shows of all time, I Love Lucy, All in the Family, and Roseanne.
56. I was only afraid twice during my travels, in Kingston, Jamaica; and Jerusalem during the first Intifada, when a Palestinian kid threw a pipe at me.
66. I don't much care for chocolate cake or ice cream and tend to order deserts involving lemons, coconut, custard or buttercream.Peace is forever,73. My first real job was cashiering at Publix in Coral Gables, Florida.
peace is for now.
There should be no wars,
not one kapow.

95. I would like to own a small working farm, where I would grow stone fruit, nuts and lavender, raise chickens, host fabulous dinner parties and have revolving affairs with the help.
The problem with having a very rich fantasy life is that reality so often pales in comparison. Last night I had dinner with a movie star, which wasn’t nearly as fascinating as the many movie star dinners I’ve been having in my head all these years.
After missing her at Sundance and during an earlier L.A. trip, I finally had lunch with the producing partner of the popular New York actress SJP. As is the general rule of thumb, she’s just as pretty as her celebrity collaborator, though maybe not as thin—but then, who is?
Daniel and I share a house. This felt very odd to me when I first moved in, having had my own house, albeit a tiny one, for the previous ten years. Though our duplex apartments in one divided Hollywood bungalow have only one common wall, I can’t lose the image of him shadowing my daily movements. Our toilets, for example, surely have us sitting back to back as we go about our morning ritual. Once in awhile I even hear them flush together as though playing a familiar little ditty on the pipe organ. In my bedroom, I wouldn’t dream of putting my headboard up against this particular wall, as the imagined scenario of our sitting up together to read ourselves to sleep is far too intimate a way to end the day with this fellow I know so little about.
I’m not sure exactly why I thought he’d be particularly interested in knowing more about another desperate housewife in her underpants, since my only solid information on Daniel is that he’s gay as a picnic basket and he teaches opera at home. A heads up from the landlord as to his occupation concerned me greatly when I first moved in, as the only thing I could imagine to be worse than listening to opera all day would be listening to student opera all day. But it turns he only works with serious professionals honing their instruments for major operatic happenings around the world. These people could even be famous opera singers for all I know. They could be opera legends I’m casually listening to over my tuna sandwich and Diet Snapple Lemonade.
The other day I was taking a nap, and woke up to a chorus of angels, the kind you hope to hear welcoming you to heaven after taking your last breath. So beautiful was this music, I truly felt ready to go, right there, secure in the knowledge that there really is a God and it really is all okay. I rushed outside in my pajamas to ask the angels what they’d been singing and they told me it was The Flower Duet, by the French composer Delibes. You can listen to a piece of it here, if you like, Disc 1, Track 4. It’s really quite extraordinary, even to the untrained ear of a reclusive, tuna-eating, Snapple-drinking screenwriter who so rarely bothers to get dressed.
“You really need to get back to writing about what you do best,” my mother called to tell me. I had no idea what she meant by this. Snark? Bitterness? A perpetual state of nagging disappointment even during my finest hour? “You write best about people who’ve touched you out there,” she said. I didn’t know how to tell her that nobody actually touches each other in Hollywood. It’s not like New York where you’re all on the street together and you could easily pass off touching as an accident. In L.A., we barely look at one another, except to pass sub-conscious judgment on a butt that’s too big, a face too weatherworn or a car too old. I myself get judged quite regularly in this town, I’m willing to wager.
I followed him to the hospital to be neighborly, where the nurses informed me that I’m his only friend in the world. This despite my only having met him six months back. Though he'd offered to look after my dogs when I went to Sundance, I wasn’t certain that obligated me alone to watch him take his last breath. He gave me a letter to send to an estranged sister in Albuquerque in the event he didn’t make it, although he doesn’t have anything for her to claim except a garage full of vintage Playboys.
He’s been dead for years, however, so that leaves this reclusive screenwriting neighbor with so few permanent connections of her own to look after Russ in his last days. This is clearly a guy who’s made an awful lot of mistakes in life, since avoiding dying broke and alone seems to me to be the unspoken force driving most of us—especially in a place as notoriously difficult to accomplish that as Hollywood. On the other hand, the studio might actually end up making my movie, meaning I’d have a big Hollywood soiree of my own to attend with a date. I’m no Ginger Rogers, but if Russ can hang on that long, with the right partner I am known to dance one kick-ass Macarena.
I saw Randy Jackson yesterday at Pain Quotidien while I was lunching with the producing partner of an A-list actress I’m hoping to work with. I only mention the super cool star sighting because, as regular visitors know, I don’t care to divulge the names of those I encounter in business settings. The last thing I need is some freak Googling “pain” + ”Randy Jackson” + “Insert Name Of A-list Actress,” only to end up here. You can’t expect your garden variety Internet pervert to know "pain" only means bread in French, can you? I also figure it’s only fair since I myself blog anonymously to protect the precise identities of people who buy me French food while expressing even a passing interest in hiring me. (Hint: She lives out of town, recently released an art house film and has a famous brother. No it is not Maggie Gyllenhaal. Were I ever to find myself a single degree of separation from Jake Gyllenhaal, one of us is going to name some freaking names).
My uncanny ability to pick a familiar face from among the crowd can be a burden. A couple of weeks ago, I was seated so close to Gretchen Mol in a restaurant I could actually hear the details of an intimate conversation with her agent. There may have been some tears, I don’t know, something about points on the back end. The attempted eavesdropping that continuously absented me from my own conversation annoyed my dining partner to no end, since my Type A Lawyer Sister had no familiarity whatsoever with this so-called “major movie star.” She became impressed by coincidence only after catching the actress wearing nothing but a smile and a horsewhip in The Notorious Bettie Page. My sister herself once saw Bruce Springsteen and Patty Scialfa sharing a sandwich at Canter’s—a score my mother, the retired Umatilla schoolteacher, had to point out. My sister's probable response was that their corned beef looked a little dry.
Like most every kid with even a hint of dramatic flair, I began rehearsing my Oscar acceptance speech when I was seven. I thanked my dog, Crowley, for having a wet nose; my first grade teacher Mrs. Bowes who married suddenly and mysteriously quit her job; and of course my mom, who always got me to school on time and never stopped making me sandwiches.
To The Smug Overpaid Sitcom Weenie, I thank you from the bottom of my heart for failing to staff me on your short-lived, crap-ass, racist show after repeatedly promising to do so since we were kids. If not for your being a fraud, a user and a liar, I might never have written the spec script that launched my career in features, placing me significantly higher than you on the Hollywood food chain right out of the starting gates. I do look forward to denying ever knowing you to anyone who might ask, despite the fact that you are my brother-in-law.
Yes, all that was bitchy, even if it is the gospel truth. The good news is after all these years I’m still able to feel at all, even if it is only a twinge of guilt for telling it like it is. I suppose one of the most troubling things about surviving rejection is that it tends to numb you against feeling even the good stuff. I couldn’t have known that wallowing in failure might well be easier than reveling in success because I went so long without achieving any. I’m well aware that bitterness is wrong and bad, not to mention sinful and unattractive, but it works very well for chocolate and at least my brand isn’t fattening.
Contrary to popular belief, Julie hasn't "gone Hollywood" as a result of her recent success to the exclusion of her friends in the blogosphere. What's really been keeping me from my usual zeal for self-absorbed public ranting is writing a book proposal inspired by my entries here over the last year. Yes, Julie Goes To Hollywood: A Single Girl, A Second Chance, And The Dream That Won't Die!, Already, Die! is nearly ready to go on the auction block to a shortlist of Fabulous New York Publishers. Unlike the Hollywood types I so strongly hesitate to come out and name, my Big Deal New York Literary Agent is a man so civilized he probably wouldn't mind my revealing his actual name here rather than referring to him as "Literary Boy." He is Jason Anthony, with the Zachary, Shuster, Harmsworth Agency in Manhattan.
Now that I've finally conquered Hollywood after all these years with an overpaid assignment to write my first studio screenplay, my greatest hope is that the literary world receives me with refreshing graciousness and expediency. I expect to be mass published at once in paperback, feted with free gifts and prizes, and sent on a whirlwind book tour concentrating in and around the South Pacific. Or at least acknowledged in some small way with, say, a charming note and a correctly spelled word of encouragement. Ten years in this town and a girl learns not to ask for too much, even if she is so strongly influenced by the nation's greatest living satirist and his loopy actress-playwright sister. I always wanted to be a Letterman favorite.
Do we really want to pay three-ninety five for a tub of cantaloupe chunks? Do it, do it, throw it in the cart! Okay, but normally we get whatever they have on sale in a big bin with flies swarming around it the day before they ship it back to Tehachapi for the pigs. Don't you get it? Everything's different now! We're getting more for ten weeks' work than your average American couple brings down in six years. We're in, babe. Now pick up some nice rawhide bones for the wieners, so what if they do cost fifteen bucks a piece for scraps of freeze-dried Chilean shoe leather?
Now they're putting the poor kid in a squad car just like the Matchbox kind he used to play with, telling him to watch his head. He's blushing now, visibly humiliated, as if hungry as hell weren't enough. Coming to Hollywood and wanting too much, that was his first mistake. Okay, now you're sad. Seriously, you could cry. There's all kinds of untapped talent itching to hit this town like an oil gusher, and yet, you can practically breathe the spillover vaporizing into the air with the morning smog. Hey, this must be Survivor's Guilt. It's hard to tell when you're Catholic and super in touch with your original sin, but yeah, it's a brand new feeling of shame, the "Why me?" kind. There’s also that little touch of Imposter Complex, as in "Uh-oh. Me?" You don't know how to write a hundred thousand dollar screenplay! Who are you kidding, Miss Fancy Pants? Let's not think about that now. Think about that tomorrow.
Get in the pretend fancy car, wave to the fantasy crowd lining the streets, and ascend to the make believe palace. Now get out the bed tray and the ball peen hammer. Who needs a snooty nutcracker when you've got ten years of pent up hostility to direct at your crabs? Nothing wrong with shellfish and champagne in bed, Liz Taylor probably does it nightly. Music might be a classy touch, something feminist and self-righteous like the Indigo Girls. Wait, there's a hugely ironic Dateline episode on about people who surmounted long odds to make it to the top. Yup, your new hero is Joy Mangano, the divorced mom who invented the waterless mop to feed her kids and now lives in a twenty million dollar East Hampton spread just down the beach from Spielberg. Hah, the old man who dumped her for some tramp is now a lowly employee. You're totally loving that.
That's it, sister, pour yourself another glass of champagne and phone in that long overdue order to HB Freaking O! Hell, get Showtime, too, and whoever's broadcasting the lady erotica starring Fabio at his peak, or perhaps a young, unknown college boy named Sly Stallone. Yup, it's good being queen, even if you are drunk, cheap and sleeping alone with the "Corgis" while some loser sits across town in a holding cell wishing he didn't have to call his father collect. Here's to you, good Giuletta. To the good life.