
With that kind of desolation in mind, the outlying vista from the bank of picture windows behind my new office cubicle should be its one saving grace. On a clear fall day, I can simultaneously shuffle, staple and sigh, following the palm tree-lined rivers of Highland and La Brea all the way up to the hills, stopping along the way at the Magic Castle, Griffith Park Observatory and the Hollywood sign. The trouble is, part of me would rather look out over the frozen hinterlands of North Dakota. With the miniaturized Matchbox cars jockeying for position on this magical life-sized track, I’m stuck inside like a sick kid on a snow day, watching the big boys go out to play.
Today’s unannounced visit from the Big Deal Publisher of the
Legendary Trade Magazine where I’m temping might have been my big chance for some indoor fun. I read his column every day, after all, and could easily have volunteered some thoughts of my own on piracy, theatrical distribution and foreign after-markets. But then, my professional zeal would have only confused him, especially since he discovered me chewing bubble gum and reading The National Enquirer like some ditzy Carol Burnett character with a plumped up prosthetic ass. The Pretty Boy Sycophant of a business manager considered supplying my name, but was stopped cold by the horrible realization that he’d never bothered to ask me for it to begin with.

Two failed actresses forced to do time in Classifieds probably think I’m shy, since I sat reading David Sedaris this afternoon while they ate dim sum and argued over whether or not Joe Versus The Volcano draws an important life metaphor. “Look, I was in a John Patrick Shanley play at Chicago Rep,” one informed the other down the nose of her Lisa Loeb glasses. “I know Shanley.”

I’ve also spent a lot of years outside that window—enough of them to know that sometimes life is what happens while you’re making other plans. Visiting his office, I learned that Jack London went to Alaska to become a banker, not to write Call of The Wild. In the living room of her Denmark home, I was told that Isaak Dinesen’s planned to grow coffee in Kenya, then wrote Out of Africa instead. So maybe Julie didn’t come all the way to Hollywood to be a lowly office temp, but the memorable view from that corner cubicle may some day become the establishing shot for my own eponymous movie. When that happy moment arrives, I suppose I’ll be happier still that fate didn’t take me to Fargo.